Digital Camera Lenses

Summary
From standard primes to fisheyes: A comprehensive breakdown of lens types, focal lengths, and optical defects (distortion, flare). Includes a mind map for lens classification and maintenance tips.

Overview

mindmap
  root((Lens))
    Properties
      Aperture
      Focal Length
    Types
      Standard
      Wide-angle
      Telephoto
      Zoom
      Macro
      Fisheye
    Issues
      Flare
      Distortion
    Focus
      Fixed
      Variable
      Auto

Imaging Principle

Convex Lens Rule: Single focal length determines virtual/real image; double focal length determines size.

Basic Functions

  • Converge light beams to create image on film/sensor
  • Collect large amount of light for proper exposure

Inherent Properties

Speed / Aperture

TermDescription
Fast LensLarge max aperture (f/1.4-f/2.8), allows more light
Slow LensSmall max aperture (f/4-f/5.6), allows less light

Focal Length

The distance from lens center to sensor where a clear image forms.

CharacteristicEffect
Longer focal lengthHigher magnification, smaller scene in frame
Shorter focal lengthLower magnification, wider scene in frame

Focus Types

TypeDescription
Fixed FocusClear image for objects beyond minimum focus distance
Variable FocusManual focus ring adjustment
Auto FocusCamera automatically adjusts focus

Lens Categories

Key Principle: Longer focal length = Smaller angle of view

For 35mm format (diagonal 43mm), standard lens is approximately 50mm.

Comparison Table

TypeFocal LengthAngle of ViewBest For
Wide-angle< 35mmWideLandscapes, architecture
Standard35-70mmNormalGeneral, street
Telephoto> 70mmNarrowSports, wildlife
Portrait85-135mmModerateHeadshots

Telephoto Lens

Characteristics:

  • Expensive
  • Heavy
  • Less stable (requires faster shutter)
Handheld Rule: Shutter speed should be at least 1/focal length for sharp handheld shots. (e.g., 200mm lens → minimum 1/200s)

Zoom Lens

Two control rings:

  1. Focus control
  2. Focal length control

Disadvantages:

  • More expensive than primes
  • Bulky and heavy
  • Less sharp than prime lenses
Best Practice: Focus at maximum zoom, then adjust focal length for composition.

Macro Lens

For extreme close-up photography with high reproduction ratios.

TypeReproduction Ratio
True Macro1:1 (life-size)
Micro Focus1:1.2 ~ 1:2
Close Focus1:2 ~ 1:4

Common focal lengths: 50mm, 100mm

Macro photography has extremely shallow depth of field (~1 inch), requiring precise focus.

Fisheye Lens

  • Ultra-short focal length
  • ~180° angle of view
  • Lines radiate from center; only center lines remain straight

Common Lens Issues

Flare

Bright light reflects off lens surface, creating ghosting artifacts.

Solutions:

  • Anti-reflective coating
  • Lens hood

Perspective Distortion

IssueCauseSolution
Wide-angle distortionClose subjects appear stretchedUse longer focal length
Big nose effectPortrait too close with wide lensStep back, use 85mm+
Telephoto compressionDistant objects appear same sizeExpected behavior
Flat face effectPortrait too farGet closer, use 85-135mm

Linear Distortion

Parallel lines appear non-parallel in tall structures (converging verticals).

Solution: Keep camera back parallel to building facade.


Lens Care

Don’t blow on lens surface — saliva droplets can damage coating!

Proper cleaning:

  • Use professional lens tissue or microfiber cloth
  • Use lens-specific cleaning solution
  • Clean in circular motions from center outward